The Life of William Roscoe
Chapter XIV. 1816
Henry Fuseli to William Roscoe, [1800 c.?]
“You will perceive by this short quotation, that I have
been looking into your tenth chapter, which contains the event of the subject
you propose to me for the chimney-piece of your dining-room, and which I think
a very good one. The figures, half lengths, on a canvass of 6 feet by 4½ or 5.
A Guercino size, I suppose. Not an
upright posture. Lorenzo, Politiano, Pico. The most striking, and, for a painter, the most
expressive moment of this scene appears to me that, when
Lorenzo, grasping the hands of his friend, steadfastly
regards him; whilst Politiano, to conceal his emotion and
tears, turns his face aside. But at that moment Pico was
not yet arrived; a circumstance, how-
| LIFE OF WILLIAM ROSCOE. | 137 |
ever, which, I think,
need not be regarded; as his presence, both for expression and composition
appears, if not indispensably necessary, highly important. And thinking that
you will agree with me in this, I wish to know if you are possessed of good and
authentic heads of either, at least of Pico; as the
profile of Politiano, in your book, may perhaps answer.
The whole, with its chiaro-scuro, is arranged in my head, and I shall, in a
little time, set about it; but I would rather decline sending you a sketch, as
they always raise expectations which no picture can answer; the firstlings of
my hand shall be on the canvass, as in the Cardinal which Shepherd has; to whom
I beg you will remember me.”
Guercino (1591-1666)
Italian baroque painter influenced by Caravaggio and Lodovico Carracci.
Lorenzo de' Medici (1449-1492)
The son of Cosimo; he was a Florentine oligarch, poet, and patron of the arts.