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Joanna Baillie
(1762-1851)

NAME AUTHORITIES:
LOC:    Baillie, Joanna, 1762-1851
NRA:    Baillie, Joanna (1762-1851), playwright and poet
DNB:    Baillie, Joanna (1762-1851), playwright and poet
LBT ID: JoBaill1851    VIAF ID: 56750310    LOC ID: n50020865
B/BAP:   1762-09-11
DIED:   1851-02-23
SOURCES: DNB; Virtual International Authority File; LOC Name Authority File
Scottish poet and dramatist whose Plays on the Passions (1798-1812) were much admired, especially the gothic De Montfort, produced at Drury Lane in 1800.
REFERENCES TO WORKS BY Joanna Baillie:
“The Black Cock” in Fugitive Verses.
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A Collection of Poems, chiefly manuscript, and from Living Authors.
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“De Montfort: a Tragedy” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind.
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“The Beacon: a Serious Musical Drama” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. III.
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“The Dream: a Tragedy” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. III.
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“Ethwald: a Tragedy” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. II.
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The Family Legend: a Tragedy.
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The Martyr: a Drama in Three Acts.
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“Orra: a Tragedy in Five Acts” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. III.
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A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind.
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A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. III.
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“The Siege: a Comedy” in A Series of Plays: in which it is attempted to delineate the stronger Passions of the Mind: each Passion being the Subject of a Tragedy and a Comedy. Vol. III.
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